Cemetery Concrete Headstone Bases in Ipswich
Pouring a foundation for a headstone in Ipswich is as simple as forming a slab of concrete. But if you want the foundation to last for a long time, there are other things that you can do to make the foundation stronger so it will last longer.
A strong foundation will not begin to crack and crumble in the next few decades. Keep in mind that there are hundreds of variations in headstone shape, material make-up, and size. Customize the size and depth of the headstone foundation based on these factors.
Headstone Concrete Bases Foundation for Ipswich
A slab foundation is a large, thick slab of concrete that is typically 4”-6” thick in the center and poured directly on the ground all at one time. The edges of the slab are thicker (as wide as 24”) in order to allow for extra strength around the perimeter.
A concrete slab foundation is most commonly constructed on property that has been graded, as it should be. It is very important that the soil be graded because if it’s not, the foundation could sink or settle due to poor soil compaction.Contact Us
What Our Clients Say
Below you can find a collection of reviews from some of our happy clients
Thank you for the great work
Recently just had the foundation base of my father’s memorial headstone laid down, and was very pleased with Headstone Foundations. They were very professional, quick and laid down a very sturdy foundation for the headstone. Would definitely recommend!
Tons of experience and knowledge
The experience and knowledge of Headstone Foundations was a major reason for our picking them as a company to lay the base for our headstone. That same experience and knowledge was reflected all the way through the contract and we were very happy with both the result and the working practices.
Great restoration service
Headstone Foundations has completed the memorial restoration for my mother’s memorial. Can you please pass on my thanks for a great job, very efficient and professional, and my mother’s memorial looks much better than what it did before.
Facts About Ipswich
The seventh-century town was centred near the quay. Towards 700 AD, Frisian potters from the Netherlands area settled in Ipswich and set up the first large-scale potteries in England since Roman times. Their wares were traded far across England, and the industry was unique to Ipswich for 200 years. With growing prosperity, in about 720 AD a large new part of the town was laid out in the Buttermarket area. Ipswich was becoming a place of national and international importance.
After the invasion of 869 Ipswich fell under Viking rule. The earth ramparts circling the town centre were probably raised by Vikings in Ipswich around 900 to prevent its recapture by the English. They were unsuccessful. The town operated a mint under royal licence from King Edgar in the 970s, which continued through the Norman Conquest until the time of King John, in about 1215. The abbreviation Gipes appears on the coins. King John granted the town its first charter in 1200, laying the medieval foundations of its modern civil government. Thenceforth Ipswich strongly maintained its jurisdiction over the so-called Liberty, a region extending over about 35 square kilometres centred on the town.
Ipswich is home to many artists and has a number of galleries, the most prominent of which are at Christchurch Mansion, the Town Hall, in Ancient House and the Artists’ Gallery in Electric House. The visual arts are further supported with many sculptures at easily accessible sites. The Borough Council promotes the creation of new public works of art and has been known to make this a condition of planning permission. The town has three museums: Ipswich Museum, the Ipswich Transport Museum and Christchurch Mansion.
Spill Festival of Performance was launched in Ipswich in 2007 and alternates between London and Ipswich yearly. In 2018, Clarion Call is the signature installation in the Festival Installed at the historic town centre and waterfront in Ipswich, Clarion Call is a sonic intervention calls out to the setting sun in daily incantations, its voices reflecting contemporary Britain while exploring the local history of the World War One, using audio technology originally employed in war and emergencies, and the voices and songs of women and girls, to create a soundscape of immense scale.